Etranges Exhibitions 2002 Benjamin Beaulieu -

Beaulieu, then in his late twenties, had already been experimenting with what he called “musée imaginaire numérique” (digital imaginary museum). Étranges Exhibitions became its flagship.

: The story revolves around Rachel, a professional who finds herself entangled in a web of corporate paranoia. In her professional circle, Rachel only places absolute trust in her roommate, Amanda.

What sets the apart from standard early 2000s surrealism is its technical foresight. Beaulieu wasn't just a weirdo with a soldering iron. He was a programmer. etranges exhibitions 2002 benjamin beaulieu

The film features an original score composed by Jacques-Emmanuel Rousselon, which sets the mood for both the corporate espionage scenes and the late-night parties. Core Plot and Narrative Arc

Philippe Carcout, Céline Guyot, Martin Guyot Reception and Style Beaulieu, then in his late twenties, had already

While specific catalog notes from the 2002 "Estranges Exhibitions" are niche and not widely digitized, this report is constructed based on the documented history of the artist Benjamin Beaulieu and the cultural context of the Lausanne festival scene of that era.

At its core, Étranges Exhibitions leans heavily into the tropes of the classic erotic thriller. The narrative follows , a high-stakes professional who operates in a cutthroat corporate environment. Consumed by paranoia and unable to trust those around her, Rachel confines her ultimate trust to her roommate, Amanda. In her professional circle, Rachel only places absolute

: While this 2002 film is the most prominent title, the phrase "étranges exhibitions" also appeared in 2005 in "Etranges exhibitions 4" and possibly other installments, all featuring similar casts and erotic themes. This suggests "Étranges exhibitions" may have functioned as a brand for a short-lived series of erotic television movies.