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: Frequently cited as the album’s best rocker, it is a Chuck Berry-styled track that maintains a "satisfyingly grubby" blues feel.
With a total runtime of just over 41 minutes, the album is a tight collection of pop-rock tracks designed for radio play. Here is the complete tracklist for the standard edition:
While his roots were in Faces-era blues-rock, this era was about big hooks, synthesizers, and dance-oriented rhythms. It was an album designed for the MTV generation. 2. Track-by-Track Review of the Body Wishes Album rod stewart body wishes hot full album
The "full album" experience of Body Wishes clocks in at approximately and includes the following ten tracks:
Despite the critical drubbing, Body Wishes has found a new audience among fans who appreciate it as a . Italian review site Debaser boldly declared it "un capolavoro anni 80 da rivalutare" ("an 80s masterpiece to be re-evaluated"). : Frequently cited as the album’s best rocker,
: The title track is an unapologetically sultry, mid-tempo piece. It utilizes a steady synth pulse and prominent bassline to create a nocturnal, atmospheric mood that perfectly encapsulates the album’s overarching themes of desire and modern romance.
"Body Wishes" received generally positive reviews from critics and was commercially successful, reaching No. 6 on the US Billboard 200 chart and No. 5 on the UK Albums Chart. It was an album designed for the MTV generation
The album's cover is a direct , with Stewart similarly depicted in a golden frame. It's a visual nod to one of his biggest influences, signaling that even as he embraced synthesizers and new-wave production, Stewart never forgot his rock and roll roots.
Released on June 10, 1983, Body Wishes is Rod Stewart's 12th studio album, characterized by a heavy lean into 1980s synth-pop and electronic influences. While it was a commercial success—particularly in Europe—it remains one of the most critically panned records in Stewart's long career. Album Overview The album was recorded at The Record Plant
Gone were the mandolins and acoustic guitars of the Faces era. Produced by Tom Dowd and recorded at the famed Record Plant in Los Angeles, Body Wishes is drenched in the sonic trademarks of 1983. There are electronic drum beats, sharp guitar lines, and backing vocals polished to a mirror sheen.